Poetry can open locked chambers of possibiity, restore numbed zones to feeling, recharge desire.
ADRIENNE RICHIf you are trying to transform a brutalized society into one where people can live in dignity and hope, you begin with the empowering of the most powerless. You build from the ground up.
More Adrienne Rich Quotes
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We move but our words stand become responsible for more than we intended and this is verbal privilege
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If you teach, you see this is not true. It may be that newer generations do not worship the text as some of their elders do.
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If we had time and no money, living by our wits, what story would you tell?
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he ocean on whose surface vessels (personified as female) can ride but in whose depth sailors meet their death and monsters conceal themselves.
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It requires enormous commitment like any art. But there’s a core of desire in each of us and poetry goes to and comes from that core. It’s the social, economic, institutional gap that makes it difficult.
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We need to imagine a world in which every woman is the presiding genius of her own body.
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And that we can deflect words by trivialization, of course, but also by ritualized respect, or we can let them enter our souls and mix with the juices of our minds.
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Reality, the oppressor’s tongue.
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Sexist grammar burns into the brains of little girls and young women a message that the male is the norm, the standard, the central figure beside which we are all deviants.
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No woman is really an insider in the institutions fathered by masculine consciousness.
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No one ever told us we had to study our lives,make of our lives a study, as if learning natural historyor music, that we should beginwith the simple exercises firstand slowly go on tryingthe hard ones.
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There is already a gap between those with education and those without. Those with educational privilege can be seen as arrogant, remote, alien – and very often they believe themselves superior.
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The beauty of darkness is how it lets you see.
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There’s been real hostility toward political poetry in the U.S., hostility or, at best, incomprehension. I’m speaking of those who have institutional power over what gets published, over grants andprizes and reviewing.
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It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
ADRIENNE RICH






