The idea of trying to make the effort to produce something, to put something out into the world, rather than just taking in all the stuff the world’s putting out at you.
ADRIAN TOMINEWhen email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
More Adrian Tomine Quotes
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Whereas the graphic novel is now being held up as something to aspire to and as something that’s respectable for adults to read.
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Either thought balloons or narrations or some sort of showy action, then those thoughts and realizations never existed.
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For me, like, the more interesting a letter is I just get more excited and I know that this going to be great for my friends who are looking forward to reading that in my comic.
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There were points at which I was trying to use my art to reflect positively on myself, to almost be flirtatious through the work.
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And with this sort of increased visibility, there’s more money going around in the industry, and it changes a lot, in terms of who gets into the business as a creator, who sticks with it, and who gets pushed out.
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But my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.
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Especially for people of our generation, who really celebrated certain attitudes – the outsider.
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I do think it’s getting more and more rare in this country to raise a kid with the attitude that creativity is something valuable.
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I think a lot of the criticism had to do with disliking the characters – which, again, I take as something of a compliment.
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I think there’s this general hunger for greater diversity, where publishers are really excited about finding different voices than what has been done.
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I’m very grateful for it. But at the same time, it’s not a subculture-y thing anymore; it’s something that’s in the New York Times and the New Yorker.
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When email and the Internet came along, I never publish an email address. I just stuck with this P.O. Box address.
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And I do think it’s sort of too bad that what once was a safe haven for truly eccentric, outsider artists is no longer that thing.
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I think there’s a lot of evolution that’s happened in intangible ways, in terms of how I think about the work or how I plan it out.
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And now people even of our parents’ generation are familiar with the term “graphic novel,” which is kind of amazing.
ADRIAN TOMINE