But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
ADRIAN HODGESIn the very beginning, she’s using him in a pretty cynical way.
More Adrian Hodges Quotes
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In the very beginning, she’s using him in a pretty cynical way.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
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The concept of being loyal to your friends, to the point where you’d even die for them, is a great subject.
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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On a simple level, you need directors who are good at action and can choreograph an action scene
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You do see a few people and you are thinking of how that chemistry is going to work, but it’s not really fair to put people who are auditioning together in a room.
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Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else.
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I always want the action to be witty. I don’t want it to be merely routine.
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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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You’re always looking to make it a bit fresh.
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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
ADRIAN HODGES