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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.

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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
ADRIAN HODGES

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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
ADRIAN HODGES

Clinch Doe Everywhere Fun Genre Problem
And we make quite a big thing about that. I won’t give too much away.
ADRIAN HODGES

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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
ADRIAN HODGES

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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
ADRIAN HODGES

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But when he finally does make it, they’re not going to make it easy for him. That never changes.
ADRIAN HODGES

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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
ADRIAN HODGES

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You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization.
ADRIAN HODGES

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Being able to do action sounds like it should be straightforward, but it really isn’t.
ADRIAN HODGES

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The concept of being loyal to your friends, to the point where you’d even die for them, is a great subject.
ADRIAN HODGES

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They’re classic themes, which is why I think it’s such a great story to look at again.
ADRIAN HODGES

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I want to make sure people are constantly surprised and interested.
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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
ADRIAN HODGES

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Milady is, in one sense, a villain because she does bad things.
ADRIAN HODGES

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It’s not fundamentally different to any other genre, that action is a particular thing.
ADRIAN HODGES

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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
ADRIAN HODGES

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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
ADRIAN HODGES

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You’re always looking to make it a bit fresh.
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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
ADRIAN HODGES

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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
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On a simple level, you need directors who are good at action and can choreograph an action scene
ADRIAN HODGES

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In the very beginning, she’s using him in a pretty cynical way.
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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
ADRIAN HODGES

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I always want the action to be witty. I don’t want it to be merely routine.
ADRIAN HODGES

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