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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.

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Logic Mind Necessarily Need Own Themselves Villian

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

You’re always looking to make it a bit fresh.
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The concept of being loyal to your friends, to the point where you’d even die for them, is a great subject.
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I always want the action to be witty. I don’t want it to be merely routine.
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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It’s not fundamentally different to any other genre, that action is a particular thing.
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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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In the very beginning, she’s using him in a pretty cynical way.
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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
ADRIAN HODGES

Logic Mind Necessarily Need Own Themselves Villian
On a simple level, you need directors who are good at action and can choreograph an action scene
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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And we make quite a big thing about that. I won’t give too much away.
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You do see a few people and you are thinking of how that chemistry is going to work, but it’s not really fair to put people who are auditioning together in a room.
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They’re classic themes, which is why I think it’s such a great story to look at again.
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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
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I want to make sure people are constantly surprised and interested.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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