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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

I want to make sure people are constantly surprised and interested.
ADRIAN HODGES

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Being able to do action sounds like it should be straightforward, but it really isn’t.
ADRIAN HODGES

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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
ADRIAN HODGES

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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
ADRIAN HODGES

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In the very beginning, she’s using him in a pretty cynical way.
ADRIAN HODGES

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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
ADRIAN HODGES

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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
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The concept of being loyal to your friends, to the point where you’d even die for them, is a great subject.
ADRIAN HODGES

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They’re classic themes, which is why I think it’s such a great story to look at again.
ADRIAN HODGES

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Milady is, in one sense, a villain because she does bad things.
ADRIAN HODGES

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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
ADRIAN HODGES

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On a simple level, you need directors who are good at action and can choreograph an action scene
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
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The situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
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