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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.

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Being able to do action sounds like it should be straightforward, but it really isn’t.
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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
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You do see a few people and you are thinking of how that chemistry is going to work, but it’s not really fair to put people who are auditioning together in a room.
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The thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
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I want to make sure people are constantly surprised and interested.
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Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else.
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