There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
ADRIAN HODGESThere was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
ADRIAN HODGESThe thing about villains is that villains always have their own logic, and they don’t necessarily see themselves as villains.
ADRIAN HODGESThe BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
ADRIAN HODGESI always want the action to be witty. I don’t want it to be merely routine.
ADRIAN HODGESI think there’s an element in Milady where she sees her own innocence in D’Artagnan.
ADRIAN HODGESYou have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
ADRIAN HODGESIt’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
ADRIAN HODGESThe situation that women were in, at the time, was something that Dumas doesn’t really go into, but it’s a great subject to look at.
ADRIAN HODGESI didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
ADRIAN HODGESBeing able to do action sounds like it should be straightforward, but it really isn’t.
ADRIAN HODGESIn the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
ADRIAN HODGESAnd we make quite a big thing about that. I won’t give too much away.
ADRIAN HODGESMilady is, in one sense, a villain because she does bad things.
ADRIAN HODGESHe’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
ADRIAN HODGESWhen she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
ADRIAN HODGESBut you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
ADRIAN HODGES