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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.

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In the book, D’Artagnan doesn’t actually become an official Musketeer until quite near the end.
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Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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The concept of being loyal to your friends, to the point where you’d even die for them, is a great subject.
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You’re always looking to make it a bit fresh.
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I always want the action to be witty. I don’t want it to be merely routine.
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There was a lot that I wanted it to do, and I wanted it to be fun. It’s fun, but it’s not simple fun.
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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
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Richelieu is not a villain, in his own mind. He’s doing what he needs to do.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
ADRIAN HODGES

Clinch Doe Everywhere Fun Genre Problem
It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
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I didn’t want to do that. But what I did want to do was have a real look at the adventure genre because I thought it was ripe for reinvention.
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Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else.
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On a simple level, you need directors who are good at action and can choreograph an action scene
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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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Being able to do action sounds like it should be straightforward, but it really isn’t.
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