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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.

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One of the problems of this genre is that there are cliches everywhere, and you’ve got to be careful and watch out.
ADRIAN HODGES

Clinch Doe Everywhere Fun Genre Problem
Richelieu was a great statesman, and like all great statesman, he was a very ruthless man.
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It’s not fundamentally different to any other genre, that action is a particular thing.
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In the very beginning, she’s using him in a pretty cynical way.
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He’s not cruel. He just does what he has to do. And in his own mind, he’s absolutely right.
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I want to make sure people are constantly surprised and interested.
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You have to make that judgement yourself, and that’s partly where the casting director is so good. It was that blend that we were looking for.
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It’s a great genre because you can do a lot. Sometimes in thrillers, you can really explore things, and it’s the same in this genre.
ADRIAN HODGES

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And we’re always talking to the directors about that. It’s a big challenge to find people that can do it.
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The BBC came to me and they wanted to adapt the book [Three Musketeers] again, in the straightforward way, and I said no to that.
ADRIAN HODGES

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But you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It’s a very big thing.
ADRIAN HODGES

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On a simple level, you need directors who are good at action and can choreograph an action scene
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Our rule with cliches is to either gently acknowledge them and make fun of them, or do something else.
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But when he finally does make it, they’re not going to make it easy for him. That never changes.
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When she gets to know him, she sees qualities in him that she recognizes and it’s almost like trying to remake the past, but of course, it doesn’t work.
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I think there’s an element in Milady where she sees her own innocence in D’Artagnan.
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