In the New Yorker library, I have long been shelved between Nadine Gordimer and Brendan Gill; an eerie little space nestled between high seriousness of purpose and legendary lightness of touch.
ADAM GOPNIKWhat do you think leads us to the windows in the first place?
More Adam Gopnik Quotes
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There are as many attitudes to cooking as there are people cooking, of course, but I do think that cooking guys tend
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I think – the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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It’s really our relief at no longer having to do things we were never good at doing in the first place – relief at never again having to dissect a frog or memorize the periodic table.
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When handsome men or beautiful women take up the work of the intellect, it impresses us because we know they could have chosen other paths to being impressive.
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Music is a current of hard choices made to seem easy by the mind.
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Daniel Levitin takes the most sophisticated ideas that exist about the brain and mind, applies them to the most emotionally direct art we have, our songs, and makes beautiful music of the two together.
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The loneliness of the expatriate is of an odd and complicated kind, for it is inseparable from the feeling of being free, of having escaped.
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Sometimes having a good time can be the outward evidence of a deep re-thinking.
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Writing is the process of finding something to distract you from writing, and of all the helpful distractions – adultery, alcohol and acedia, all of which aided our writing fathers – none can equal the Internet.
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That any troubles are simple misunderstandings, consequent on your not yet having spoken English loudly enough.
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American long for a closed society in which everything can be bought, where laborers are either hidden away or dressed up as nonhumans, so as not to be disconcerting. This place is called Disney World.
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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Nothing in a graduate degree in art history prepares you for the eloquence of the eraser.
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
ADAM GOPNIK