It was the grander French one: Why not kill yourself tonight? That the answers come to much the same thing in the end-easy does it
ADAM GOPNIKCredibility’ is defined as the willingness to kill a lot of people now for a not very good cause to assure the world that we’ll kill a lot more people if we can find a better one.
More Adam Gopnik Quotes
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You can stand up and tell a story that is made entirely, embarrassingly, of “I’s,” and a listening audience somehow turns each “I” into a “me.”
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If you’re being attacked from all sides, it’s possible you’re doing something right; it’s also possible that you are doing everything wrong.
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The reality is that the British monarchy, for good or ill, is a modern political institution – perhaps the first modern political institution.
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Art without accomplishment becomes a form of faith, sustained more by the intensity of its common practice than by the pleasure it gives to its adherents in private.
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The trick and the trap and the horror is not faith, Scott. I don’t think the trap and the horror is fanaticism.
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There are as many attitudes to cooking as there are people cooking, of course, but I do think that cooking guys tend
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I don’t miss the obligation to be opinionated, but I do regret the chance to share a joy.
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Yet in truth the big question Camus asked was never the Anglo-American liberal one: How can we make the world a little bit better tomorrow?
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A fact about photography: we can look at people’s faces in photographs with an intensity and intimacy that in life we normally only reserve for extreme emotional states
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Nothing in a graduate degree in art history prepares you for the eloquence of the eraser.
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When handsome men or beautiful women take up the work of the intellect, it impresses us because we know they could have chosen other paths to being impressive.
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The blankness invites scribbling on, mental drawing , and the best feeling I know – apart from the more obvious sensual ones – is the feeling of putting down the first thought and seeing it turn into symbols.
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All tastes have the quality of being in some way artificial and invented. The secret of life is to have enough detachment from your tastes and your values to see that they are a little bit absurd.
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That, you could conclude mordantly, is the real soundtrack of our time: the amplification of the self-evident toward the creation of paralyzing, preëmptive paranoia.
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Dinner with water is dinner for prisoners
ADAM GOPNIK