In an age of malice and bad faith on many sides, I reread White or Thurber or Mitchell and am reminded again that good writing is done, as I said in my elegy for Salinger, with an active eye and ear and an ardent heart, and in no other way.
ADAM GOPNIKLeafing through Forbes or Fortune [magazine]s is like reading the operating manual of a strangely sanctimonious pirate ship
More Adam Gopnik Quotes
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Something is missing, we think. And so we long for the thing we’ve missed and can’t name, and out of that wanting – well, everything else rises, good and bad.
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For me, the beauty of the blank page, or empty screen,staring up at nine thirty after two cups of coffee and a deep breath remains unique.
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Of having seen something large and having found the right words to say it small, small enough to enter an individual mind so that the strong ideas of what the words are saying sound like sweet reason.
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Women choose Alice [in Wonderland] because every woman sees herself as the only reasonable creature among crazy people who think they are disinherited monarchs
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I think that we’re always drawn – particularly sophisticated people – are always drawn to the idea of simplicity.
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That they chose the path of the mind suggests that there is on it something more worthwhile than a circuitous route to the good things that the good-looking get just by showing up
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Making an idea into an emotion.
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I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them.
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The past is so often unknowable not because it is befogged now but because it was befogged then, too, back when it was still the present.
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Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment.
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We call disasters unimaginable, but all we do is imagine such things. […]
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Wit and puns aren’t just décor in the mind; they’re essential signs that the mind knows it’s on, recognizes its own software, can spot the bugs in its own program.
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I don’t miss the obligation to be opinionated, but I do regret the chance to share a joy.
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Would mistrust a poetry critic who couldn’t produce a rhyming couplet. Could one write about art without knowing how to draw?
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The basic human rhythm of petty malevolence, sordid moneygrubbing, and official violence, illuminated by occasional bursts of loyalty or desire or tenderness, will go on.
ADAM GOPNIK