If you don’t find a way to break the chain and change in some way, then you wind up, as the rhyme goes: a murder of one, for sorrow.
ADAM DURITZIf you don’t find a way to break the chain and change in some way, then you wind up, as the rhyme goes: a murder of one, for sorrow.
More Adam Duritz Quotes
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For me, songwriting is something like breathing: I just do it. But that doesn’t mean you’re fantastic.
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Step out the front door like a ghost into the fog where noone notices the contrast of white on white.
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Closeness to other people is really hard, but it’s also a shame because it’s all you want too. But it doesn’t always work.
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You have to kind of shift the way you look at life when you’re in a group of people that you work with. It’s not so much, do they make you feel good when you’re around them all the time; it’s how can you make everyone feel comfortable together.
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I’ve been playing music most of my life.
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Got no place to go, but there’s a girl waitin’ for me down in Mexico. She got a bottle of tequila, a bottle of gin, and if I bring a little music, I could fit right in.
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The nice thing about being on stage is it’s not that I know what to do, but I have a very clear feeling that anything I do is OK. All I’m up there to do is express how I feel. Any way I choose to do that is fine.
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When so much money is involved in these movies, someone somewhere is going to try to screw you.
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You live through stuff, and it affects the way you feel about the world, and you write about it.
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I find that truly heartbreaking that, like, it’s such a common, constant thing in people’s lives – a brutal abuse of people by other people, and it’s just accepted.
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If you want to really love someone, you’ve got to let go and loosen up and just care.
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I can remember being eight years old and having infinite possibilities. But life ends up being so much less that we thought it would be when we were kids, with relationships that are so empty and stupid and brutal.
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It’s impossible having five, six, seven people in a room being creative together and not fight, because you want to fight. It’s the only way creativity works, if you all put your ideas in.
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People really need to show up early to hear Hollis Brown. They are just an unbelievable live band.
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When you’re young and you play music, you have a peer group, you come out of a scene. There’s a lot of people you know, and then you have some success, and it all goes away.
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I think I’d been limiting myself in some ways just writing in first person all the time.
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People ask me if I have stage fright. I say, “God, no, I’m completely comfortable there. I have rest-of-the-day fright.”
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You get so used to doing it that you start to believe it’s simply what everyone does. It makes for an atmosphere of unwelcome that penetrates much of our modern life.
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I’m not a spiritual person at all, but I do think that the world doesn’t have to be as lonely as it is.
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When everybody loves me, I will never be lonely.
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I think that, often, the people who can make you happy are right there, and having them in your life would make your life better, but you can’t see how to do it.
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You aren’t really writing about what you did; you’re writing about how you feel.
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That’s where the songs come from: that’s what I’d most want people to understand. What sounds good or looks good, that’s nothing. The only worthwhile thing in art is seeing someone else’s heart.
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Over and over again in my life, I find closeness to other people and proximity to other people really painful; that’s part of my mental illness, social anxiety.
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I’m really good in pain. I snapped my leg in half on stage and played a whole show. But I can’t sit there with someone that loves me.
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The group is the more important part, and you have to kind of shift the way you look at life when you’re in a group of people that you work with.
ADAM DURITZ