“There is nothing more important you can ever do for this world than to wake up and be a part of it.”

I think I’d been limiting myself in some ways just writing in first person all the time.

We waste a lot of our lives sometimes. There are people sitting across from us who would make the whole world better if we spent more time with them in it, but we can’t get across that gully.

You don’t understand what makes you understand what makes your life better until you take something that makes it so much worse and you embrace that.

It’s impossible having five, six, seven people in a room being creative together and not fight, because you want to fight. It’s the only way creativity works, if you all put your ideas in.

When so much money is involved in these movies, someone somewhere is going to try to screw you.

But what you realise after you’ve been in the business for a while is that people develop opinions about you that don’t have anything to do with your music, they like or dislike you for a million reasons, they like or dislike you for your last record.

Closeness to another person is like a fear of falling off a building to me. It’s really, like, physically painful, and it’s a brand of crazy I don’t appreciate having.

I can’t remember all the times I’ve tried to tell myself to hold on to these moments as they pass

Bravery is what you can do in the face of things that hurt and scare you, but you do it anyway.

Eventually, they’ll just go away, because you will make them sad. That’s something I’ve proven quite adept at doing over the years.

You live through stuff, and it affects the way you feel about the world, and you write about it.

For me, songwriting is something like breathing: I just do it. But that doesn’t mean you’re fantastic.

Sometimes the world seems like a big hole. You spend all your life shouting down it and all you hear are echoes of some idiot yelling nonsense down a hole.

I have a lot of problems understanding connections between people and how to negotiate that. It makes everything hard offstage.

For all the things I’m losing I might aswell resign myself to try and make a change.

Closeness to other people is really hard, but it’s also a shame because it’s all you want too. But it doesn’t always work.

Prison is a thing where talking gets you killed. What gets you respect is you do. The guy that you fear is a guy that says nothing.

Even beat, can ever hope to experience it, except only as a bystander might experience a Masai war dance knowing nothing of its music nor the meaning of its steps.

While what is superstition, fad, and myth can be recognized as such and used only when there is nothing else to support us in our frustration and despair.

Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and, in this, hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.

When one is perfectly still-mind and body, silent and alone-there is no personality to speak of, thus personality is one’s unique way of expression, it is what others see and know of us, nothing more or deeper than that.

Cut through the ridicule and search for factual information in most of the skeptical commentary and one is usually left with nothing. This is not surprising. After all, how can one rationally object to a call for scientific examination of evidence? Be skeptical of the skeptics.

I’m very politically active, but that has nothing to do with my charity.

Magic becomes art when it has nothing to hide.