A lot of life is about how you feel relating to dealing with this person or that person
ADAM DURITZI’m so busy trying to breathe through the pain that I’m breathing through the pain of being with people, and that is no way to spend a life.
More Adam Duritz Quotes
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For me, songwriting is something like breathing: I just do it. But that doesn’t mean you’re fantastic.
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We waste a lot of our lives sometimes. There are people sitting across from us who would make the whole world better if we spent more time with them in it, but we can’t get across that gully.
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When you’re young and you play music, you have a peer group, you come out of a scene. There’s a lot of people you know, and then you have some success, and it all goes away.
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I’ve been playing music most of my life.
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If you’ve never stared off into the distance, then your life is a shame.
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Over and over again in my life, I find closeness to other people and proximity to other people really painful; that’s part of my mental illness, social anxiety.
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You have a career, the reason why we’re still around 10 years is that we do have successful songs.
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People really need to show up early to hear Hollis Brown. They are just an unbelievable live band.
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You want to embrace, but I can’t figure out how to hold on to it.
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Losing fights, or even winning fights, can be heartbreaking, and you can throw that away, but the truth is that it does make our lives better.
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Time and time again I can’t please myself.
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The nice thing about being on stage is it’s not that I know what to do, but I have a very clear feeling that anything I do is OK. All I’m up there to do is express how I feel. Any way I choose to do that is fine.
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I’m so busy trying to breathe through the pain that I’m breathing through the pain of being with people, and that is no way to spend a life.
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I find that truly heartbreaking that, like, it’s such a common, constant thing in people’s lives – a brutal abuse of people by other people, and it’s just accepted.
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There just is exponentially more money in the movie business than in the music business. As a result there are more people involved in the creative process.
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A long December and there’s reason to believe, maybe this year will be better than the last.
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That’s where the songs come from: that’s what I’d most want people to understand. What sounds good or looks good, that’s nothing. The only worthwhile thing in art is seeing someone else’s heart.
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Closeness to another person is like a fear of falling off a building to me. It’s really, like, physically painful, and it’s a brand of crazy I don’t appreciate having.
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If you don’t find a way to break the chain and change in some way, then you wind up, as the rhyme goes: a murder of one, for sorrow.
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I’m really good in a crisis, because I don’t panic.
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I’ve spent most of my life living in cities where people are obsessed with looking down on people from everywhere else.
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People ask me if I have stage fright. I say, “God, no, I’m completely comfortable there. I have rest-of-the-day fright.”
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I think I’d been limiting myself in some ways just writing in first person all the time.
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You aren’t really writing about what you did; you’re writing about how you feel.
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All my songs are where I am.
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Sometimes the world seems like a big hole. You spend all your life shouting down it and all you hear are echoes of some idiot yelling nonsense down a hole.
ADAM DURITZ