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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.

Ada Louise Huxtable

Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
ADA LOUISE HUXTABLE

Bloom City Country Convinced Demolished Until
Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
ADA LOUISE HUXTABLE

More Obsolete Railroad System Today
The New York Hilton is laid out with a competence that would make a computer blush.
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Blush Competence Country Computer Laid
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
ADA LOUISE HUXTABLE

Art Civilization Draw Magnetic Physical Strong
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Common Real Rigor Mortis Room Waiting Wanting
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
ADA LOUISE HUXTABLE

Architecture Creative Elusive Expressive Good Planning Synthesis
In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
ADA LOUISE HUXTABLE

Architect Conflict Essential Little Tension Tragedy
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
ADA LOUISE HUXTABLE

Chunk Consume Decoration People Special Waiting
The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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Aim Art Decoration Require Self Skill Sophisticated
If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Cal Constant Decoration Nothing Place Process
Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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Appaling Needlework People Piece Some Truly
And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Aesthetic City Infrastructure Override Sunlight
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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Creative Creativity Draw Know Past Pretend
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLE

Clutter Feeling. Oldest Involve Iron Long Most
The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
ADA LOUISE HUXTABLE

Country Extraordinary Gamble Payoff Ultimately
California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
ADA LOUISE HUXTABLE

Country Established Land Rest Country Trend Value

Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.

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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.

Related Topics

Popular Authors

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