What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLEDistinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
More Ada Louise Huxtable Quotes
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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Surrogate experience and surrogate environments have become the American way of life.
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That turns the Jersey wasteland into a pretty classy dump.
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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Washington is an endless series of mock palaces clearly built for clerks.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
ADA LOUISE HUXTABLE