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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.

Ada Louise Huxtable

That turns the Jersey wasteland into a pretty classy dump.
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Class Jersey Pretty Turn Wasteland
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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Becoming California Difficult Fake Real Take
And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Aesthetic City Infrastructure Override Sunlight
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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Dubious Excellent Job Saying Would
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Art Demeaning Deprived Feeling Reduce Self
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Common Real Rigor Mortis Room Waiting Wanting
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Art Cutting Grind History Purpose
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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Building Delight Dimension Extra Important National Sense Tragedy Wonder
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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British Nation Shopkeeper Shopper Shopping United States
Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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Deemed Distinction False Longer Necessary Real Unbearable
In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
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Architect Conflict Essential Little Tension Tragedy
Surrogate experience and surrogate environments have become the American way of life.
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Friendly Real Way
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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Bad Big Building Gigantism Tombstone Tragedy Triumph
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
ADA LOUISE HUXTABLE

Agency Conventional Later Practice Self Sooner Stronghold

There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.

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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.

Related Topics

Popular Authors

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