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New York, thy name is irreverence and hyperbole. And grandeur.

Ada Louise Huxtable

Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
ADA LOUISE HUXTABLE

Bloom City Country Convinced Demolished Until
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLE

Clutter Feeling. Oldest Involve Iron Long Most
Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
ADA LOUISE HUXTABLE

Deemed Distinction False Longer Necessary Real Unbearable
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
ADA LOUISE HUXTABLE

Architecture Pursuit Style Unapologetic Unfettered
I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
ADA LOUISE HUXTABLE

Circumvent Death Feeling Found Tax
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
ADA LOUISE HUXTABLE

Architecture Creative Elusive Expressive Good Planning Synthesis
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLE

Architectural Art Object Perennial Responsibility Versus Vision
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Common Real Rigor Mortis Room Waiting Wanting
Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
ADA LOUISE HUXTABLE

Art Civilization Draw Magnetic Physical Strong
If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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Cal Constant Decoration Nothing Place Process
A disaster where marble has been substituted for imagination.
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Disaster Imagination Marble Substituted
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
ADA LOUISE HUXTABLE

British Nation Shopkeeper Shopper Shopping United States
New York, thy name is irreverence and hyperbole. And grandeur.
ADA LOUISE HUXTABLE

Country Grandeur Hyperbole Irreverence Name
And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Aesthetic City Infrastructure Override Sunlight
It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
ADA LOUISE HUXTABLE

Delight Dimension Extra Important Sense Wonder
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLE

Afford Architecture City Ultimate Deserve Keep

New York, thy name is irreverence and hyperbole. And grandeur.

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New York, thy name is irreverence and hyperbole. And grandeur.

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