The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLENew York, thy name is irreverence and hyperbole. And grandeur.
More Ada Louise Huxtable Quotes
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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Clutter in its highest and most organized form is called collecting.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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A disaster where marble has been substituted for imagination.
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New York, thy name is irreverence and hyperbole. And grandeur.
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLE