We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLEIn Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
More Ada Louise Huxtable Quotes
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Clutter in its highest and most organized form is called collecting.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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That turns the Jersey wasteland into a pretty classy dump.
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The skyscraper is the point where art and the city meet.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization.
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If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLE