In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
ADA LOUISE HUXTABLEOnly a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
More Ada Louise Huxtable Quotes
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
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Every generation tailors history to its taste.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Washington is an endless series of mock palaces clearly built for clerks.
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Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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The New York Hilton is laid out with a competence that would make a computer blush.
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I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
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