Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
ADA LOUISE HUXTABLEOnly a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
More Ada Louise Huxtable Quotes
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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That turns the Jersey wasteland into a pretty classy dump.
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
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Every generation tailors history to its taste.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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Real estate is the closest thing to the proverbial pot of gold.
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New York, thy name is irreverence and hyperbole. And grandeur.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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