If you will; they are places for doing nothing and they have no life of their own. … their one constant is what might be called a decorative rigor mortis.
ADA LOUISE HUXTABLESummer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
More Ada Louise Huxtable Quotes
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Real estate is the closest thing to the proverbial pot of gold.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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Surrogate experience and surrogate environments have become the American way of life.
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The gamble of triumph or tragedy at this scale – and ultimately it is a gamble – demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
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The skyscraper is the point where art and the city meet.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
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Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
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Every generation tailors history to its taste.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
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