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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.

Ada Louise Huxtable

All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
ADA LOUISE HUXTABLE

Agency Conventional Later Practice Self Sooner Stronghold
The New York Hilton is laid out with a competence that would make a computer blush.
ADA LOUISE HUXTABLE

Blush Competence Country Computer Laid
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLE

Friendly Real Way
A disaster where marble has been substituted for imagination.
ADA LOUISE HUXTABLE

Disaster Imagination Marble Substituted
California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
ADA LOUISE HUXTABLE

Country Established Land Rest Country Trend Value
We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
ADA LOUISE HUXTABLE

Afford Architecture City Ultimate Deserve Keep
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLE

Architectural Art Object Perennial Responsibility Versus Vision
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
ADA LOUISE HUXTABLE

Empty Magic Necessary People Space Supplies
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed
The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
ADA LOUISE HUXTABLE

Aim Art Decoration Require Self Skill Sophisticated
Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
ADA LOUISE HUXTABLE

More Obsolete Railroad System Today
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLE

Art Cities Concentrated Country Scale Sunlight Superskyscrap
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
ADA LOUISE HUXTABLE

Bad Big Building Gigantism Tombstone Tragedy Triumph
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
ADA LOUISE HUXTABLE

British Nation Shopkeeper Shopper Shopping United States

Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.

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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.

Related Topics

Popular Authors

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