black
grey
blue
red
brown
white

And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.

Ada Louise Huxtable

Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE

Becoming California Difficult Fake Real Take
Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.
ADA LOUISE HUXTABLE

Clutter Feeling. Oldest Involve Iron Long Most
the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
ADA LOUISE HUXTABLE

Goes Skyscraper Style Unbearable Urban
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed
Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
ADA LOUISE HUXTABLE

Clothes Kind Love Right Summer Tension
Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
ADA LOUISE HUXTABLE

Bloom City Country Convinced Demolished Until
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLE

Age Building Cities Dream Landmark Past Tall
A disaster where marble has been substituted for imagination.
ADA LOUISE HUXTABLE

Disaster Imagination Marble Substituted
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLE

Building Delight Dimension Extra Important National Sense Tragedy Wonder
In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
ADA LOUISE HUXTABLE

Consistency Everything Paris Structure Style
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
ADA LOUISE HUXTABLE

Empty Magic Necessary People Space Supplies
Every age cuts and pastes history to suit its own purposes; art always has an ax to grind.
ADA LOUISE HUXTABLE

Art Cutting Grind History Purpose
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
The skyscraper is the point where art and the city meet.
ADA LOUISE HUXTABLE

Art City Meet Point Skyscraper

And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.

Related Topics

Popular Authors

And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.

Related Topics

Popular Authors

More Ada Louise Huxtable Quotes