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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.

Ada Louise Huxtable

Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
ADA LOUISE HUXTABLE

Consuming Embellishment Enough Establishing History Human Inability
Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
ADA LOUISE HUXTABLE

Clothes Kind Love Right Summer Tension
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
ADA LOUISE HUXTABLE

Art Cities Concentrated Country Scale Sunlight Superskyscrap
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
ADA LOUISE HUXTABLE

Architecture Pursuit Style Unapologetic Unfettered
Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLE

Friendly Real Way
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
ADA LOUISE HUXTABLE

Common Real Rigor Mortis Room Waiting Wanting
Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
ADA LOUISE HUXTABLE

Art Demeaning Deprived Feeling Reduce Self
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
Every generation tailors history to its taste.
ADA LOUISE HUXTABLE

Generation History Tailor Taste
In the end, these unavoidable conflicts provide architecture’s essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
ADA LOUISE HUXTABLE

Architect Conflict Essential Little Tension Tragedy
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
ADA LOUISE HUXTABLE

Chunk Consume Decoration People Special Waiting
New York, thy name is irreverence and hyperbole. And grandeur.
ADA LOUISE HUXTABLE

Country Grandeur Hyperbole Irreverence Name
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLE

Architectural Art Object Perennial Responsibility Versus Vision
That turns the Jersey wasteland into a pretty classy dump.
ADA LOUISE HUXTABLE

Class Jersey Pretty Turn Wasteland

Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.

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Really living without clutter takes an iron will … This involves eternal watchfulness and that oldest and most relentless of the housewife’s occupations, picking up.

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