Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
ADA LOUISE HUXTABLEWhat counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
More Ada Louise Huxtable Quotes
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A disaster where marble has been substituted for imagination.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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The skyscraper is the point where art and the city meet.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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Real estate is the closest thing to the proverbial pot of gold.
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The New York Hilton is laid out with a competence that would make a computer blush.
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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The art of decoration requires the most sophisticated and self-indulgent skills. Its aim has always been to sate the senses as gloriously as possible. … ornament is not only a source of sensuous pleasure
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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