Clutter in its highest and most organized form is called collecting.
ADA LOUISE HUXTABLEThe building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
More Ada Louise Huxtable Quotes
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn’t awful.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Every generation tailors history to its taste.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
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The skyscraper is the point where art and the city meet.
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed
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