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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.

Ada Louise Huxtable

Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLE

Friendly Real Way
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLE

Architectural Art Object Perennial Responsibility Versus Vision
That turns the Jersey wasteland into a pretty classy dump.
ADA LOUISE HUXTABLE

Class Jersey Pretty Turn Wasteland
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death.
ADA LOUISE HUXTABLE

Chunk Consume Decoration People Special Waiting
Every generation tailors history to its taste.
ADA LOUISE HUXTABLE

Generation History Tailor Taste
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
ADA LOUISE HUXTABLE

Common Real Rigor Mortis Room Waiting Wanting
There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
ADA LOUISE HUXTABLE

Horror Kid Mean People Two Vacuum World
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLE

Age Building Cities Dream Landmark Past Tall
What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
ADA LOUISE HUXTABLE

Building Delight Dimension Extra Important National Sense Tragedy Wonder
Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
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More Obsolete Railroad System Today
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
ADA LOUISE HUXTABLE

Home Matter May Monummentaist
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
ADA LOUISE HUXTABLE

Academic Architecture Century Developed Dictate
It supplies a necessary kind of magic to people and places that lack it. More than just a dread of empty spaces has led to the urge to decorate; it is the fear of empty selves.
ADA LOUISE HUXTABLE

Empty Magic Necessary People Space Supplies
The skyscraper is the point where art and the city meet.
ADA LOUISE HUXTABLE

Art City Meet Point Skyscraper

The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.

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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.

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