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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.

Ada Louise Huxtable

And infrastructure, on its already tenuous livability, overrides any aesthetic. … Art becomes worthless in a city brutalized by overdevelopment.
ADA LOUISE HUXTABLE

Aesthetic City Infrastructure Override Sunlight
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
ADA LOUISE HUXTABLE

Becoming California Difficult Fake Real Take
Some people wait constructively; they read or knit. I have watched some truly appalling pieces of needlework take form. Others – I am one of them – abandon all thought and purpose to an uneasy vegetative states.
ADA LOUISE HUXTABLE

Appaling Needlework People Piece Some Truly
It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
ADA LOUISE HUXTABLE

Delight Dimension Extra Important Sense Wonder
The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
ADA LOUISE HUXTABLE

Art Box Candy Lying National Sarcophagus Tragedy
Real estate is the closest thing to the proverbial pot of gold.
ADA LOUISE HUXTABLE

Estate Gold Pot Proverbial Real
Washington is an endless series of mock palaces clearly built for clerks.
ADA LOUISE HUXTABLE

Build Clearly Clerk Country Endless Palace
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
ADA LOUISE HUXTABLE

Architectural Art Object Perennial Responsibility Versus Vision
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
ADA LOUISE HUXTABLE

Century Dream Man Secaucus Standard Style Tossed
Distinctions are no longer made, or deemed necessary, between the real and the false; the edge usually goes to the latter, as an improved version with defects corrected – accessible and user-friendly.
ADA LOUISE HUXTABLE

Deemed Distinction False Longer Necessary Real Unbearable
California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
ADA LOUISE HUXTABLE

Country Established Land Rest Country Trend Value
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
ADA LOUISE HUXTABLE

Design Establishes Heart Hope Passion Quest
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
ADA LOUISE HUXTABLE

Creative Creativity Draw Know Past Pretend
A disaster where marble has been substituted for imagination.
ADA LOUISE HUXTABLE

Disaster Imagination Marble Substituted
I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
ADA LOUISE HUXTABLE

Circumvent Death Feeling Found Tax
The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
ADA LOUISE HUXTABLE

Age Building Cities Dream Landmark Past Tall

Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.

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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.

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Popular Authors

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