Surrogate experience and surrogate environments have become the American way of life.
ADA LOUISE HUXTABLEEvery age cuts and pastes history to suit its own purposes; art always has an ax to grind.
More Ada Louise Huxtable Quotes
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness,
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
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Waiting is a special kind of activity – if activity is the right word for it – because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There’s no such thing, really, as a creative act in a vacuum.
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
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The skyscraper and the twentieth century are synonymous; the tall building is the landmark of our age.Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
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It is more important than ever that we receive that extra dimension of dignity or delight and the elevated sense of self that the art of building can provide through the nature of the places where we live and work.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility.
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. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean.
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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