Washington is an endless series of mock palaces clearly built for clerks.
ADA LOUISE HUXTABLEIn New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city’s aniquated support systems, circulation
More Ada Louise Huxtable Quotes
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
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That turns the Jersey wasteland into a pretty classy dump.
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There are two kinds of people in the world – those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
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The building is a national tragedy – a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
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Today, when so much seems to conspire to reduce life and feeling to the most deprived and demeaning bottom line,
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the search for the ultimate skyscraper goes on. … At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
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New York, thy name is irreverence and hyperbole. And grandeur.
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Summer is the time when one sheds one’s tensions with one’s clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all’s right with the world.
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history.Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
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California … is the place that sets the trends and establishes the values for the rest of the country; like a slow ooze, California culture spreads eastward across the land.
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The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste.
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man.
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What counts more than style is whether architecture improves our experience of the built world; whether it makes us wonder why we never noticed places in quite this way before.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style.
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