Using non-actors has its own rules and really requires that you allow them to do their own thing.
ABBAS KIAROSTAMIYou’ve noticed that same joke told by two different people, once works, and the other time doesn’t, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize – all of this matters.
More Abbas Kiarostami Quotes
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If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.
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I really enjoy listening to stories. I remember them and keep them in my mind.
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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.
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A work of art doesn’t exist outside the perception of the audience.
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When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I’ve met in real life.
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Directors don’t always create, they can also destroy with too many demands.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.
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I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
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Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
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Religion works on some people but not on everyone, because it says, ‘Stop thinking and accept what I tell you.’ That’s not valid for people who want to think and reflect.
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Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.
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I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
ABBAS KIAROSTAMI