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Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.

Abbas Kiarostami

Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
ABBAS KIAROSTAMI

Consider Filmmaker Intuition Master Storyteller Vision
Silence doesn’t seem heavy or difficult.
ABBAS KIAROSTAMI

Difficult heavy Option Silence
I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
ABBAS KIAROSTAMI

Better Football Footballer Home Rule Thinking
I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
ABBAS KIAROSTAMI

Condemned Death Director Film People
Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
ABBAS KIAROSTAMI

Cinema Lazy Life People Punctuation Seat
I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
ABBAS KIAROSTAMI

Complication Deny Expression Life Perception Thinking
I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!
ABBAS KIAROSTAMI

Marketing Mean Movie Selfish Work
The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn’t directing the actors so much as being directed by them. So it was a very particular film.
ABBAS KIAROSTAMI

Actor Character Directing Film Large Real Very
I think I really produce my best work in Iran.
ABBAS KIAROSTAMI

Best Iran Produce Really Thinking Work
It’s very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
ABBAS KIAROSTAMI

Camera Digital Intimate Moments Light
While shooting Ten I was sitting in the backseat, but I didn’t interfere. Sometimes, I was following in another car, so I was not even present on the “set”, because I thought they would work better in my absence.
ABBAS KIAROSTAMI

Backseat Car Interfere Present Shooting Sitting Ten
My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI

Car Film Friend Home Intimate Location Office
If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.
ABBAS KIAROSTAMI

Advantage Digital Drama Especially Shooting Video
I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
ABBAS KIAROSTAMI

Allen Film Make Matter Thinking Woody
Having an international voice is not really about whether we speak Persian or any other language.
ABBAS KIAROSTAMI

International Language Persian Speak Voice
The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI

Cinema Film Government Interesting Iranian Perhaps Relationship

Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.

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Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.

Related Topics

Popular Authors

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