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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.

Abbas Kiarostami

The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI

Cinema Film Government Interesting Iranian Perhaps Relationship
I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
ABBAS KIAROSTAMI

Ambition Bad Copy Film Life Nothing Shape Thinking
Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.
ABBAS KIAROSTAMI

Actually Beginning End Film Patient Watch Down
I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
ABBAS KIAROSTAMI

Anxiety English Familiar Man Men Responsibility
I didn’t just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
ABBAS KIAROSTAMI

Condemned Death Director Film People
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
ABBAS KIAROSTAMI

Camera Digital Feelings General Grateful Red
I think life is so difficult to catch, it’s so furtive, that a copy, a film, can in no way catch it and represent it.
ABBAS KIAROSTAMI

Difficult Furtive Life Represent Thinking Way
I really enjoy listening to stories. I remember them and keep them in my mind.
ABBAS KIAROSTAMI

Enjoy Listening Mind Remember Story
When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
ABBAS KIAROSTAMI

Finish Making More Movie People Process Talking Thinking
I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives
ABBAS KIAROSTAMI

Able Accept Acknowledge Illusion Moving State Thinking
As soon as people enter a theater they must become moron consumers who must be fed information.
ABBAS KIAROSTAMI

Consumer Fed Information Moron People Theater
I think that if you’re a digital thinker, you can use a digital camera.
ABBAS KIAROSTAMI

Camera Digital Thinker Thinking Use
Those same people, when they leave the theater, when they look behind the curtains they are curious about their neighbors, they can guess if their neighbors are siblings or a couple, how old they are, what their occupation is.
ABBAS KIAROSTAMI

Couple Curtain Guess Neighbour People Sibling
In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
ABBAS KIAROSTAMI

Actor Child Children Communicate Cooperate Level Order
Film is very much a universal and common voice, and we can’t limit it to one particular culture.
ABBAS KIAROSTAMI

Common Culture Film Limit Universal Voice
In real life, when someone’s partner calls them, they can tell from the first word their partner says what their mood is.
ABBAS KIAROSTAMI

First Life Mood Partner Real Word

Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.

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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.

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