I wasn’t searching for a common denominator – I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
ABBAS KIAROSTAMIIt seems that film-makers are being divided between those working in digital and those who are not. I think it’s not something predetermined – it all depends on what project we have in mind, and on that basis we choose the medium.
More Abbas Kiarostami Quotes
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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
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We are nothing but a link between our culture and what we can actually produce.
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In the total darkness, poetry is still there, and it is there for you.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
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I think I really produce my best work in Iran.
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The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic; so I have my doubts.
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Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
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Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end – I never do.
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In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
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Close-Up has affected later films that I’ve made.
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In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.
ABBAS KIAROSTAMI