The day we run out of petrol is the day Iran will be free.
ABBAS KIAROSTAMII have a picture from the end of the shoot, and in it I have lost all my hair.
More Abbas Kiarostami Quotes
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If we’re not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas – I have no problem with 35mm.
ABBAS KIAROSTAMI -
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
ABBAS KIAROSTAMI -
I only make notes, I don’t write dialogues in full. And the notes are very much based on my knowledge of person.
ABBAS KIAROSTAMI -
I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.
ABBAS KIAROSTAMI -
The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.
ABBAS KIAROSTAMI -
I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
ABBAS KIAROSTAMI -
In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
ABBAS KIAROSTAMI -
I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives
ABBAS KIAROSTAMI -
I have no advice for anyone on how to live.
ABBAS KIAROSTAMI -
I would be too selfish if I said everyone should see my movies more than once. To say that would mean I’m just marketing my work!
ABBAS KIAROSTAMI -
Silence doesn’t seem heavy or difficult.
ABBAS KIAROSTAMI -
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
ABBAS KIAROSTAMI -
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
ABBAS KIAROSTAMI -
A work of art doesn’t exist outside the perception of the audience.
ABBAS KIAROSTAMI -
I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
ABBAS KIAROSTAMI