I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
ABBAS KIAROSTAMIMy car’s my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
More Abbas Kiarostami Quotes
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When I’m in the process of making a movie I’m not thinking about the finished result, and whether people have to see it once or more than once, and what the reaction to it will be. I just make it, and then I live with the consequences.
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I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
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My way of expression is full of complications and mystery because that’s my perception of life.
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It’s true that the best way of knowing yourself is to put yourself into different situations.
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The [Iranian] government grapples with more important issues and we can maybe say that these films don’t really exist for them. It’s not about whether they like it or don’t; it’s just not very important to them.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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The day we run out of petrol is the day Iran will be free.
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Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
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This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark.
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Directors don’t always create, they can also destroy with too many demands.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
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In my experience as a director, I think there is obviously something of the way men – maybe that’s a common point with Shirin – the way men see women in the film, and the way these two characters see each other.
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Close-Up has affected later films that I’ve made.
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In order to be universal, you have to be rooted in your own culture.
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A movie is about human beings, about humanity.
ABBAS KIAROSTAMI