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I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.

Abbas Kiarostami

I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
ABBAS KIAROSTAMI

Actress Challenges Acting Juliette Performance Professional Way
When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit.
ABBAS KIAROSTAMI

Another Bear Country Fruit Ground Place Rooted Thinking Transfer Tree
This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
ABBAS KIAROSTAMI

Death Earthquake Film Influence Issue Issues Life Recur
I have no advice for anyone on how to live.
ABBAS KIAROSTAMI

Advice Anyone Ask Live Option
I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives
ABBAS KIAROSTAMI

Able Accept Acknowledge Illusion Moving State Thinking
Having an international voice is not really about whether we speak Persian or any other language.
ABBAS KIAROSTAMI

International Language Persian Speak Voice
In the total darkness, poetry is still there, and it is there for you.
ABBAS KIAROSTAMI

Darkness Desire Hope Poetry Still Total You
I have a picture from the end of the shoot, and in it I have lost all my hair.
ABBAS KIAROSTAMI

All End Hair Lost Picture Shoot
If I do continue to have the opportunity to work in Iran, that’s very much what I’d prefer to do.
ABBAS KIAROSTAMI

Continue Iran Opportunity Prefer
I have received the digital camera as a blessing. It has really changed my life as a filmmaker, because I don’t use my camera anymore as a camera. I don’t feel it as a camera.
ABBAS KIAROSTAMI

Anymore Blessing Camera Changed Digital Filmmaker Life People
I’m still very grateful to digital cameras in general, but I didn’t have this feeling with the RED one.
ABBAS KIAROSTAMI

Camera Digital Feelings General Grateful Red
I’m not sure that my films show the reality of life in Iran; we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
ABBAS KIAROSTAMI

Aspect Different Expansive Extensive Iran Place Reality Show
Close-Up has affected later films that I’ve made.
ABBAS KIAROSTAMI

Affected Close up Film Made
The one-word cinema wasn’t possible for me anymore. I’d hit a wall, a dead end. Therefore I thought I’d turn back.
ABBAS KIAROSTAMI

Cinema Dead End Possible Turn Wall Word
I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I’m not the only one.
ABBAS KIAROSTAMI

Asking Behave Director Guilty More Perhaps Thinking
My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We’re in the most comfortable seats because we’re not facing each other, but sitting side by side.
ABBAS KIAROSTAMI

Car Film Friend Home Intimate Location Office

I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.

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I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.

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