“Always make the audience suffer as much as possible.”

Even my failures make money and become classics a year after I make them.

Self-plagiarism is style.

Some of our most exquisite murders have been domestic, performed with tenderness in simple, homey places like the kitchen table.

I always try to look at things as though I were remembering them three years later.

A good film is when the price of the dinner, the theatre admission and the babysitter were worth it.

All love scenes started on the set are continued in the dressing room.

Conversation is the enemy of good wine and food.

When you can look forward, and the road is clear ahead, and now you are going to create something – that’s as happy as I’d want to be.

There is nothing so good as a burial at sea. It is simple, tidy, and not very incriminating.

Everything’s perverted in a different way.

I’ve become a body of films, not a man, I am all those films.

Someone once told me that every minute a murder occurs, so I don’t want to waste your time, I know you want to go back to work.

Television is like the American toaster, you push the button and the same thing pops up everytime.

We seem to have a compulsion these days to bury time capsules in order to give those people living in the next century or so some idea of what we are like.

If I won’t be myself, who will?

Cary Grant is the only actor I ever loved in my whole life.

I’m the audience’s representative on earth.

It’s always an inner wish of every actor to reach out to maximum audiences.

I’m not the best audience for that because I’m not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.

If I’m selling, I want them all selling in the audience. If I’m coming back, I want them all coming back. If I’m bleeding, I want them bleeding. If I win, they win. If I lose, they lose.

It’s the actors who are prepared to make fools of themselves who are usually the ones who come to mean something to the audience.

Documentaries are a powerful and effective way of bridging the gap between worlds, breaking through to new audiences that wouldn’t otherwise be engaged – in essence, not preaching to the choir.

I’m always gonna do my own thing. I wanna be something – whether I’m 19 years old working at a pet store, or I’m 19 years old with a No. 1 record – I wanna be the biggest I can be to my crowd, no matter what my crowd is.

I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.