What I needed with all my starved and silent soul was just that particular way of shouting back at the world.
IRIS MURDOCHOne of the secrets of a happy life is continous small treats.
More Iris Murdoch Quotes
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I have nobody in the world. I’ll kill myself. That’s best. Everyone will say, It’s for the best that she killed herself, she’s better off dead. I hate myself so much I could spend hours and hours just screaming with hatred and with the pain of it, oh the pain of it.
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Love is the extremely difficult realization that something other than oneself is real.
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We are all prisoner, but the name of our cure is not freedom.
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One of the secrets of a happy life is continous small treats.
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Reading and writing and the preservation of language and its forms and the kind of eloquence and the kind of beauty which the language is capable of is terribly important to the human beings because this is connected to thought.
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We live in a fantasy world, a world of illusion. The great task in life is to find reality says Iris Murdoch. But given the state of the world, is it wise?
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The absolute yearning of one human body for another particular body and its indifference to substitutes is one of life’s major mysteries.
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How different each death is, and yet it leads us into the self-same country, that country which we inhabit so rarely, where we see the worthlessness of what we have long pursued and will so soon return to pursuing.
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Falling out of love is chiefly a matter of forgetting how charming someone is.
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People have obsessions and fears and passions which they don’t admit to. I think every character is interesting and has extremes. It’s the novelist privilege to see how odd everyone is.
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Every book is the wreck of a perfect idea.
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Love doesn’t think like that. All right, it’s blind as a bat- Bats have radar. Yours doesnt seem to be working.
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However life, unlike art, has an irritating way of bumping and limping on, undoing conversions, casting doubt on solutions, and generally illustrating the impossibility of living happily or virtuously ever after.
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But one must do something about the past. It doesn’t just cease to be. It goes on existing and affecting the present, and in new and different ways, as if in some other dimension it too were growing.
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So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.
IRIS MURDOCH