I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
BRIAN ENOI wanted to get rid of the element that had been considered essential in pop music: the voice.
More Brian Eno Quotes
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One of the things you’re doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
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Once you’ve grown to accept something and it becomes part of the system you’ve inherited, you don’t even notice it any longer.
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If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
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Saying that cultural objects have value is like saying that telephones have conversations.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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One often makes music to supplement one’s world.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature… The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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Sometimes you recognize that there is a category of human experience that has not been identified but everyone knows about it. That is when I find a term to describe it.
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If something is good, you must torture it mercilessly until it is either dead or great.
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In England and Europe, we have this huge music called ambient – ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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For instance, I’m always fascinated to see whether, given the kind of fairly known and established form called popular music, whether there is some magic combination that nobody has hit upon before.
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Given the chance, i’ll die like a baby, on some faraway beach, when the season’s over.
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The texture suggests some kind of mood, and the mood suggests some kind of lyric. That’s like working in reverse, often quite the other way around, from sound to song. Although often they stop before they get to the song stage.
BRIAN ENO