Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
JAY ROACHIt’s hard to imagine in this day and age the accent in Dalton Trumbo speaking voice, the Mid Atlantic mixture of an English and American dialect, so flowery and oratorical that it almost sounds theatrical. It would be uncool today, no one would ever speak that way.
More Jay Roach Quotes
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John Wayne was never shy about that fervor, but because he was never overly zealous about his politics, and of course his status as a movie, he was embraced by both the right and the left.
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I hope we’re all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there’s not only sort of a film geek audience, there’s also a general interest in the overall film consuming population.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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I’ve recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.
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When something so unjust as the black list happened, [Dalton Trumbo] would come to life in a certain way.
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To his credit John Wayne was open about it, he even portrayed a member of the House UnAmerican Activities Committee in a film called ‘Big Jim McClain.’
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It was an interesting process trying to get Bob to talk about the film because he’s such a shy person. He generally likes to talk when he really knows he has something to say.
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[Lyndon Baines ] Johnson is a big and larger-than-life guy, we just tried to give him the dynamic range that he actually had.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
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In his life, [Dalton] Trumbo uses wit and comedy to fight these very high-stakes battles.
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When I’m shooting, really the audience I’m thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
JAY ROACH -
I think sequels should be earned and we won’t do it unless the script is better than the first one.
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Sometimes you fall in love with some things and then you fall out of love with it.
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Sometimes perfecting the one thing can be the enemy of getting any traction on anything else.
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From our perspective now, there is a not a huge understanding about the totalitarian Communism that Soviet Russia practiced during the 1950s – it was an atrocious system.
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I’m pretty opinionated sometimes although my political views change all the time, too. So I’m not very zealous.
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There’s people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don’t.
JAY ROACH -
The success of the second ‘Austin Powers’ caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
JAY ROACH -
Mini-Me was the pint sized clone that was the perpetuation of Dr. Evil’s own legacy [in Austin Powers]. That concept earned the sequel.
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I don’t stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it’s a comedy or a suspenseful way through it if it’s a drama.
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This is a movie version of the play [All the Way]and when Bryan [Cranston] was on stage the bigness of the man was played to the back of the house. When we turned the cameras on that, it changed a bit with close-ups, but we got just as much power in that beautiful intimacy.
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[Lyndon Baines Johnson ] technique in negotiation would be that he’d lean into you and take away your personal space, it didn’t matter your party affiliation when he was trying to convince you of something.
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That’s why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
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Once you’re a public figure, there’s a certain amount of privacy you do give up.
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I love Dr. Evil [from Austin Powers] as a walking, talking, narcissistic manifestation of everything screwed up about human existence – his desire to take over the world, and have the world reflect his own power lust.
JAY ROACH