Will you pretend you’re my boyfriend?
PATTI SMITHLife isn’t some vertical or horizontal line — you have your own interior world, and it’s not neat.
More Patti Smith Quotes
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What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
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Polaroid by its nature makes you frugal. You walk around with maybe two packs of film in your pocket. You have 20 shots, so each shot is a world.
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People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone’s vision, because in the end, that’s what you got: your clay in someone else’s hands.
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I felt alien my whole life but I didn’t feel alien because of my gender. Other people made me aware of my gender.
PATTI SMITH -
The two things that constantly inspired me were books and travel.
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My father came a couple of times, but he always blamed his hearing loss on my loud amplifiers. So he didn’t come anymore, but I had his support.
PATTI SMITH -
I don’t know why, the very first word on my very first record is ‘Jesus.’ I still invoke him as an entity to reckon with.
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I knew if I lived long enough I would be poet laureate of something.
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Trust is everything between two artists, or between subject and artist. You have to have trust or nothing good will come out of it.
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A good artist’s always got his hand in his zipper.
PATTI SMITH -
Well, I’m not one of those people who needs the limelight. If I’m performing, that’s what I’m doing. If I’m not, I don’t long for it. I don’t need the approval of an audience, or applause.
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So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.
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I had no proof that I had the stuff to be an artist, though I hungered to be one.
PATTI SMITH -
One day we’ll go in together, and the work will be ours.
PATTI SMITH -
In my low periods, I wondered what was the point of creating art. For whom? Are we animating God? Are we talking to ourselves? And what was the ultimate goal? To have one’s work caged in art’s great zoos – the Modern, the Met, the Louvre?
PATTI SMITH