There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
BLACK FRANCISI initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
More Black Francis Quotes
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I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
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It’s sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That’s the level where I want to go.
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Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
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I listen to Neil Young and jazz and classical stations and, if my girlfriend’s driving, it tends to be Hall & Oates.
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The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.
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Who do sing SONGS. It’s like I never sang before; like I was – I don’t know – reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
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I don’t want to be flaky. I don’t want to be some temperamental, hard-to-work-with musician.
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When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.
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I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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If you’re a good band then the filter of the band is pretty strong.
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You think you’ve made something really great, but there’s a reason why it’s not resonating the way some previous work did. But it’s not that easy to just replicate.
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That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.
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That’s the most important thing, to get along with people. When you feel like you click with them.
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You should never rely on interviews with musicians as being factual.
BLACK FRANCIS