For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
I drive a lot. Just for pleasure. Sometimes I’ll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y’know, just see where roads lead.
I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it’s kind of like that’s never really been my bag. Probably because I’m too shy.
This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.
