I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
BRADFORD COXThe same people that always think I’m pretentious will think I’m pretentious, and the people who relate to me will continue to relate to me.
More Bradford Cox Quotes
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I like my solitude, and I’m a strong-willed person; I’m a very hard-to-be-around person sometimes, I guess.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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I’m obsessed with five different things a day. It’s like lightbulbs in a Christmas light chain.
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I was trying to write a song based on a story in a random book of Puerto Rican short stories that I found in a thrift store.
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I’ve been going through some personal things that have stirred up a lot of old wounds.
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What could be more experimental than me writing a straight up love song?
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When I got hit by the car, I became depressed. As a result, I’ve been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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In reality, I’ve probably got the lowest self-esteem of anybody I know, which has really been rubbed in my face lately in personal situations.
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Unlike the rest of everyone I hang around with, I don’t drink, so I remember what happened after shows. And I have never hit on anyone after a show, I’m not that kind of person. Even if I was attracted to someone, I’d be too shy.
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We didn’t have MTV, and I was desperate for something. You know, you’re young, you want something off the beaten path. And Twin Peaks was like, surrealism on network TV.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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A song like “Walkabout”, it’s totally imitative. The goal of that song was to make people happy, and I’ve never really made a song to make people happy before.
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Sometimes, I do have something to say, so I’ll sit there and I’ll write a song to someone – and then I just throw it away because it makes me cringe.
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I read a lot – surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I’ve loved since I was in high school.
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There’s not like this separate caste system where it’s like, “I’m the musician, you’re the audience. Never the two shall meet.” It was a case where it was like, “Hey, you know what? I’m on your level, man.”
BRADFORD COX







