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I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.

Bret Easton Ellis

I don’t know why I write what I write.
BRET EASTON ELLIS

Knows Write Writing
Regardless of the business aspect of things, is there a reason that there isn’t a female Hitchcock or a female Scorsese or a female Spielberg? I don’t know. I think it’s a medium that really is built for the male gaze and for a male sensibility.
BRET EASTON ELLIS

Female Males Medium Reason Thinking
I stare into a thin, web-like crack above the urinal’s handle and think to myself that if I were to disappear into that crack, say somehow miniaturize and slip into it, the odds are good that no one would notice I was gone.
BRET EASTON ELLIS

Odds People Thinking
I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
BRET EASTON ELLIS

Novel Scene Touched
People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS

Agreement Eerie Sight
And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn’t matter. That all that does is that I want to see the worst
BRET EASTON ELLIS

Elevator Father Passing Second
With “Taipei” Tao Lin becomes the most interesting prose stylist of his generation…
BRET EASTON ELLIS

Generations Interesting Stylist
Is evil something you are? Or is it something you do?
BRET EASTON ELLIS

Do Evil People Something
When I’m writing a book, I’m not thinking, “Oh, this would be a great movie.” This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
BRET EASTON ELLIS

Book Great Interesting Medium Movie
After a while you learn that everything stops.
BRET EASTON ELLIS

After Everything Stops While
I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say “I love you I love you I love you” while stripping. I want you so bad it stings.
BRET EASTON ELLIS

Kissing Love Mouth Say Stripping
It’s as if her mind is having a hard time communicating with her mouth, as if she is searching for a rational analysis of who I am, which is, of course, an impossibility: there… is… no… key.
BRET EASTON ELLIS

Analysis Communicating Key Mind Rational
My pain is constant and sharp, and I do not hope for a better world for anyone.
BRET EASTON ELLIS

Catharsis Pain World
Hip,” I murmur, remembering last night, how I lost it completely in a stall at Nell’s—my mouth foaming, all I could think about were insects, lots of insects, and running at pigeons, foaming at the mouth and running at pigeons.
BRET EASTON ELLIS

Night Running Thinking
That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS

Answer Girl Love Party Question
It’s like my characters, all my men are Dad and me in a mess; all my female characters are smart and hopeful, like Mom just trying to make the best of things.
BRET EASTON ELLIS

Character Dad Female Mom Smart

I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.

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Popular Authors

I learned that you really don’t have any control as a writer. Waah, waah, waah. Big deal. Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.

Related Topics

Popular Authors

More Bret Easton Ellis Quotes