I did a run of a play over the summer in a really tiny theater in New York and that was rejuvenating for me. I directed a short series for Hulu called Paloma and being in an editing room, I learned a lot about acting.
JULIA STILESIn my early career, I look at that time as a series of trial and error and learning as I go.
More Julia Stiles Quotes
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I remember seeing Janet McTeer in A Doll’s House. My grandmother took me and we had seats in the very back row, but her performance was so powerful – it was very accessible. I felt like I was much closer than I was.
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Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
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I know it sounds earnest, but I do really feel in my bones that acting is just a small part of the equation when you are making a movie. The director really is in charge. Actors are as important or unimportant as the rest of the people around them.
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My regular school didn’t know what to do with me!
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The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
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I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
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Sometimes I have these abstract ideas and then lose track of myself.
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Yoga has stopped me from destroying my joints after running. It slows me down.
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I pretty much grew up in public.
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I never think of myself as an actor who takes work home with them.
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I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn’t have actresses then.
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I’m not good at keeping secrets. If I’m entrusted with a secret from a friend, I can do that because I’m a good friend, but I don’t like having secrets, it makes me nervous.
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I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
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We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
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I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
JULIA STILES