For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
BRIAN ENOThink inside the work – outside the work
More Brian Eno Quotes
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it – like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music.
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It’s nice, I think, when people use your music for things you didn’t think of.
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When people censor themselves they’re just as likely to get rid of the good bits as the bad bits.
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Law is always better than war.
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The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
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When I was young, an eccentric uncle decided to teach me how to lie. Not, he explained, because he wanted me to lie, but because he thought I should know how it’s done so I would recognise when I was being lied to.
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I’m not interested in possible complexities. I regard song structure as a graph paper.
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So, I try to make signs, graphically and visually, to say to people “Okay, this is this department of my work and this is this other department of my work.” And of course I’m very pleased if people like all of them, but I don’t want them to feel deceived at any point.
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I’m fascinated by musicians who don’t completely understand their territory; that’s when you do your best work.
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The idea that something is uncool because it’s old or foreign has left the collective consciousness.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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I always use the same guitar; I got this guitar years and years ago for nine pounds. It’s still got the same strings on it.
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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don’t fit in a very interesting way.
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I’m struck by the insidious, computer-driven tendency to take things out of the domain of muscular activity and put them into the domain of mental activity.
BRIAN ENO