It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
NICK CAVEThe band is a living, breathing thing. It grows in the same way we do as human beings and if it doesn’t, it dies. It’s important to feed the organism, and one way of doing that is to set musical challenges that keep it alive.
More Nick Cave Quotes
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We as visual artists need to continue to be renegades and say, “Yes I am here to do a project, but what is the social service?”
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Texting is apocalyptic on some level. It’s a reduction of things.
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The way I take in the world is by seeing it; that is very much evident in the songs that I write.
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The body becomes the carrier for the work. It’s not really about the physical body; it really becomes the apparatus that carries and moves the work. I don’t really consider the body as much; I look at it as a tool.
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I’ve always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
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I look at you and you look at me and deep in our hearts know it That you weren’t much of a muse, but then I weren’t much of a poet
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I have things that I’m interested in, and I’m not really interested in writing about anything that I’m not interested in. But it’s important to me to be able to see it from a different perspective, and add something new to the whole picture.
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The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.
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Everyone wants to feel that they matter.
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I’m an Australian, and when I grew up much of my influences were American – blues music and country music, all that sort of thing.
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I have a particular dislike for children’s films. I’m way past the novelty aspect.
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Anything that I’m doing I’m writing specifically for a particular project.
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If you look around, complacency is the great disease of your autumn years, and I work hard to prevent that.
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We are still struggling with people who don’t feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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My records are basically a litany of complaints against the world, and I’m quite like that in real life as well.
NICK CAVE






