Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
BRET EASTON ELLISPeople just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
More Bret Easton Ellis Quotes
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Look how black the sky is, the writer said. I made it that way.
BRET EASTON ELLIS -
People just… disappear,” he says. “The Earth just opens up and swallows people,” I say, some what sadly, checking my Rolex. “Eerie.” Kimball yawns, stretching. “Really eerie.” “Ominous.” I nod my agreement. “It’s just”- he sights, exasperated- “futile.
BRET EASTON ELLIS -
And as things fell apart, nobody paid much attention
BRET EASTON ELLIS -
What else is there to do in college except drink beer or slit one’s wrists?
BRET EASTON ELLIS -
I locked in on the smug feeling of superiority that married couples give off and that permeated the air – the shared assumptions, the sweet and contented apathy, it all lingered everywhere – despite the absence in the room of anyone single at which to aim this.
BRET EASTON ELLIS -
I don’t know why I write what I write.
BRET EASTON ELLIS -
Hello, Halberstam,” Owen says, walking by. Hello, Owen,” I say, admiring the way he’s styled and slicked back his hair, with a part so even and sharp it…
BRET EASTON ELLIS -
I’ve never written an autobiographical novel in my life. I’ve never touched upon my life. I’ve never written a single scene that I can say took place.
BRET EASTON ELLIS -
I really believe that readers are smart and sophisticated enough to realize that the author is not the narrator of his novels.
BRET EASTON ELLIS -
And it struck me then, that I liked Sean because he looked, well, slutty. A boy who had been around. A boy who couldn’t remember if he was Catholic or not.
BRET EASTON ELLIS -
That’s how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers.
BRET EASTON ELLIS -
Disappear Here. The syringe fills with blood. You’re a beautiful boy and that’s all that matters. Wonder if he’s for sale. People are afraid to merge. To merge.
BRET EASTON ELLIS -
I think the ’80s created me, in a way, when I look back on that time, but I don’t necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me – or I let happen to me – were about that decade.
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Unless you’re the director on the movie, or putting up the money for the movie, you really don’t have a lot of control.
BRET EASTON ELLIS -
How could she ever understand that there isn’t any way could be disappointed since I no longer find anything worth looking forward to?
BRET EASTON ELLIS