I learned that you should feel when writing, not like Lord Byron on a mountain top, but like child stringing beads in kindergarten, – happy, absorbed and quietly putting one bead on after another.
BRENDA UELANDThink of yourself as incandescent power, illuminated perhaps and forever talked to by God and his messengers…. Think if Tiffany’s made a mosquito, how wonderful we would think it was!
More Brenda Ueland Quotes
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If you write something and they all tell you it is bad – editors, critics, everybody – think it over and you may become convinced that they are right (though you are not to be ashamed or discouraged for a minute, but keep on writing).
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And least of all – which is so important, too – to those we do not love. But we should. Because listening is a magnetic and strange thing, a creative force…When we are listened to, it creates us, makes us unfold and expand. Ideas actually begin to grow within us and come to life.
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we like fixed rules because that ends thinking and we can rest. But there is no resting place down here.
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Creative listeners are those who want you to be recklessly yourself, even at your very worst, even vituperative, bad-tempered. They are laughing and just delighted with any manifestation of yourself, bad or good.
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Everybody is original, if he tells the truth, if he speaks from himself. But it must be from his *true* self and not from the self he thinks he *should* be.
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Creative power flourishes only when I am living in the present.
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Orthodox criticism … is a murderer of talent. And because the most modest and sensitive people are the most talented, having the most imagination and sympathy, these are the first ones to get killed off.
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Of course, in fairness, I must remind you of this: that we writers are the most lily-livered of all craftsmen. We expect more, for the most peewee efforts, than any other people.
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Now some people when they sit down to write and nothing special comes, no good ideas, are so frightened that they drink a lot of strong coffee to hurry them up, or smoke packages of cigarettes, or take drugs or get drunk.
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You have to hold your audience in writing to the very end-much more than in talking, when people have to be polite and listen to you.
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The writer has a feeling and utters it from his true self. The reader reads it and is immediately infected and has exactly the same feeling. This is the whole secret of enchantment and fascination.
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Be bold, free, and truthful.
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Try to discover your true, honest, untheoretical self.
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These people who are always briskly doing something and as busy as waltzing mice, they have little, sharp, staccato ideas, such as: “I see where I can make an annual cut of $3.47 in my meat budget.” But they have no slow, big ideas.
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Your motto: Be Bold, Be Free, Be Truthful.
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Sometimes I think of life as a process where everybody is discouraging and taking everybody else down a peg or two.
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… when I am really alone some power seems to grow in me. … Conjugality made me think of a three-legged race, where two people cannot go fast and keep tripping each other because their two legs are tied together.
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But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible–villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word
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Self-trust is so important. When you launch on a story, make your neck loose, feel free, good-natured. And be lazy. Feel that you are going to throw it away. Try writing utterly unplanned stories and see what comes out.
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Families are great murderers of the creative impulsive, particularly husbands.
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Inspiration does not come like a blot, nor is it kinetic energy striving, but it comes to us slowly and quietly all the time.
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You must become aware of the richness in you and come to believe in it and know it is there, so that you can write opulently and with self-trust. If you once become aware of it and have faith in it, you will be all right.
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I want to understand more about everything you feel and know and all the changes inside and out of you. Let more come out.” And if you have no such friend,–and you want to write,–well, then you must imagine one.
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Listening is a magnetic and strange thing, a creative force. When we really listen to people there is an alternating current, and this recharges us so that we never get tired of each other. We are constantly being re-created.
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To have the external pressure of a job removed is very astonishing. Your own will is now your only motor and it has no horse-power.
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You Do Not Know Is in You- an Inexhaustible Fountain of Ideas. Another reason for writing a diary is to discover that the ideas in you are an inexhaustible fountain.
BRENDA UELAND